Thursday, July 03, 2008

Shield - Build Me Up... Melt Me Down (1994)



Shield were a Swedish hardcore band from the mid 90's. They had releases on Desperate Fight Records. They released one full length and this EP. The EP was their first release to hit the states. It is 5 of the best hardcore songs I have ever heard. I say this with conviction because I have been able to put this on for the past 14 years and still want to listen to it over and over again.

"Flow" is an amazing start off with a great riff. The reference the "relentless flow" and that is a good starting point for how powerful these 5 tracks are. There isnt a weak part to be found (though some might feel differently about the female vocal additions on "Hide"). My personal favorite has always been "The Snowman Blues", which the cover and title cheekily reference. Its starts off slowed down and slurred, like what it must feel like to wake in such cold climes, drums lagging, sounding weird, guitars lazily riffing, then it speeds up to proper speed and it feels like the sun has just opened up on the land... But this isnt post rock, this is a shredder. Of course the lyrics could be the subject of much humour. The song is written from the viewpoint of a snowman who wishes for the sun to shine its warmth upon him, to clear the winter from his heart. "Build me up! Melt me down! Please turn your face to me / I am the snowman, and I am singing, the Snowman Blues". If the song that backs these lyrics werent so amazing then these lyrics would be trampled by tougher animals. But as it is, the chops alone make you feel for the sad, frosty fucker.

So, think Swedens answer to New Age Records... Similar to Outspoken with a dose of early Lifetime melodies (early, like Backgorund early) These 5 songs give The Current EP a run for its money. And for any Outspoken fans, they know that The Current is the best Outspoken record.

I know very little else of Shield, but these 5 songs positively burn with roiling, introspective energy. I havent shown this to one person that did not like it.

Tuesday, March 10, 2009

Outspoken - The Current (1994)



This record popped up on my radar not long ago. I just felt like listening to it, I guess, but I cant really pinpoint what it was that dredged it up from my past. Maybe I heard something that reminded of it, maybe it was just because I was looking for something to listen to.. oh wait, no, i got it. Haha! I was going through a stack of loose cds that I needed to put back in the book. Yep, thats it, as mundane as it sounds, I was cleaning. I was cleaning my messy office area in my apartment and I came across a bunch of old cds that I dont listen to often (Nineironspitfire? jeez) and of course this one stuck out, begged to be listened to. It appeared brighter than the others, but it couldve just been the way I was holding it to the light, getting lost in its rainbow hues and seeing a world full of color and possibilities.

Regardless of its causes, the effect is what I care to reflect on at this moment. I cant say its been years since I last listened to The Current. In fact, its the one I will most likely go for as its recorded best, and has their three best songs on it plus better versions of two old songs. It also has the clearest and least cheesy lyrics. I mean, one thing I think can be leveled at Outspoken is the fact that Johns voice was never much of a hardcore voice, and that to boot, his lyrics were a little cheese. Of course, dont get me wrong, please dont, Outspoken was one of my favorite bands at the time, they meant well and had a good message, they still remain one of my most favorable hardcore bands, given the passing of time and all that I can now attribute to so much of my hardcore upbringing. But yeah, throw on A Light In The Dark and tell me it isnt a little cheese.

The Current, while still remaining hardcore in every way, and by that I mean lyrics that still fall on the obvious side of obvious, managed to at least have some really great basically phrased mantras for any progressively thinking hardcore kid. I guess thats the part that I want to talk about because I feel these lyrics still mean something.. To me at least.. and they should mean something to everyone who even half gives a damn about making this world a better place for people to survive in.

Well, to start off, the first song caters more to the self questioning that most people have to go through at some point and will continue to go through intermittently through life. At least this is how I see it, and this will be the case for the rest of the post. Consider this my opinions. You make of it what you will. So Shadow raises the question of morality, points the finger at the duality of good and evil present in each of us and begs us to recognize it as something we have to contend with and cannot ignore. As a basic idea I think it is something that everyone needs to come to terms with at some point, but overall this song rules because of its music more than anything.

Innocent is where I really feel they begin to hack away at the issues. Innocent is, first and a foremost, a call to gay rights. "What crime - is love - between - two people / the crime - is hatred - caused by ignorance - of difference". This is a clear signifier of the belief that love has no boundaries what I really think sets this song high on the bar is that these sentiments transcend sexuality and can be very appropriate of gender issues and race. "Ignorance breeds Intolerance" is the mantra of this song. It is strong and true and to this day there are still people being held down because of their sexuality, because of their color and because of the genitalia they have. I do not condone that line of thinking and this song spoke to me at an age where all of these things were becoming obvious to me. It is for this reason that I still find this song so powerful. "Im the one that needs to change" still holds true. No one is perfect, no one has it figured out. Keep growing, keep learning and keep finding ways to except the differences around you, to love them and appreciate them for the myriad ways in which the world wishes itself to be known.

'Current' is the proper closer to the 7", though I have the cd and it includes the two extra songs. I will end here with 'Current' as its the song that has had the most lasting effect on me after all of these years. Its also the best Outspoken song in my opinion, musically speaking. The lyrics here deal with the struggle of watching those around you, those who may be important to you, those who were once important to you, watching them get caught up in vice, depression, anger... whatever negativity it may be (and I believe this is probably most likely a straight edge song, but the best straight edge songs make their point with out and X ((and mind you, I am not straight edge)). The first person viewpoint of the song expresses the wish to save friends from drowning in a current, and the current can be, as stated, a number of things. I am sure we have all had a friend who got too into drugs or alcohol, or a terribly painful destriuctive relationship, maybe even a set of morals that deviates from the goodness of life and leaves that person in a darkened place. Whatever the current may be, its ever present. The narrator wishes to be able to save those people. As he states in a calm section of the song, "Set adrift. They drift away. I reach to save them. But how can I save those who won't save themselves." This part has always held so much meaning to me. Again, its such a simple truth, but so many people dont get it... And the way I see it, this song isnt telling us we cant save our friends as much as its saying that you have to save yourself. I dont know if anyone has tried and tried to not avail to save someone that just didnt want to be saved. You have to see things for yourself. No one can drive this ship for you. All that shit about Jesus carrying you when you are weakest, all the shit that people get hung up in to try to deal, too much drugs, too much sex, too much hate, all the people that want to save the world person by person.... Save Yourself. Revolt!

Now, I know that can be pretty Darwinian in its presented form, but think about it. Inject it with warmth and love and you may be able to see that its not some cold mechanistic way of dealing with loss, but rather a call to each and every one of us that we all need to fight our own battles before we can think to achieve the victory of other people battles. Jesus wont save you and I wont either. We all need saving and until we save ourselves no one else can do it for us. Only when we have fought our own demons can we even begin the idea of healing the world around us. When we all take responsibility for our own actions, when we can see what part we each play in a bigger picture and find peace with that, then, and only then can we truly begin to be the world we wish to be.

I might be way of base from what John Coyle wanted to get across with that song, but thats how its been to me all these years. And despite that I have tried anyway. I have tried and tried and in the end, the best thing I could come up with was that "being there" for someone and "saving them" were two totally different things.. and that what really matters is being there... people come to their own light when the time is right for them, and the best way you can facilitate that is to be there for them.

----------------

Heady shit in this post. Feel free to comment (please do) and refute me, agree with me, call me out for talking a poor line of bullshit. Whatever you got from these songs I want to hear, and whatever you got from what I said, I want to know. Thanks for listening.

Im in the process of photographing some of the cool vinyl finds I have made and will be sharing them with you at some point this week. Much lighter stuff...

Sunday, May 20, 2007

4 Walls Falling - Culture Shock (1991)



4 Walls Falling were a political hardcore band from Richmond, VA. They had a sound that, though metallic, was very rooted in the old-school hardcore style of the 80's. There are times when listening to this cd that I want to make comparisons to mid 80's NYHC like Sick of it All and Youth of Today and other times I want to compare their sound to turn of the decade New Age Records bands like Mouthpiece, Endpoint and Outspoken. Alltogether though, I think they have their own sound. While old-school hardcore doesnt have much gradation in terms of tone or speed 4 Walls have blended a nice amount og metal and melody to offset this fact. Great fast parts, chugging breakdowns, and youth crew vocals all mke it an essential for any fan of the genre. Greed is my favorite song, opening with a sample of Michael Douglas from the movie Wall Street.

Definitely pick this one up. You wont regret it.

Purchase @ Jade Tree Records

Saturday, August 16, 2008

Hard Stance - Face Reality (1988)



Hard Stance were a straight edge hardcore band from California in the late 80's. Their sound is fairly typical of the sound from from out there. Old-School-ish mid to fast tempo hardcore. Done mostly pretty good.

I hadn't heard this EP until more recently. I had known of the bands existence for some time. Like a lot of people know, it's the band with Zach Del La Rocha in it. And that's cool. He plays guitar like he did for Farside shortly after. That was a brief moment before his rise with Rage Against The Machine. The bands pedigree is deeper than that. The connections are many and some of the bands that these guys have been involved in might be more the reason for the interest in this EP, than just Zach De La Rocha. The Haworth brothers went to play in State of the Nation, a really good post-hardcore band. The drummer went to play in Chain of Strength, continuing the Hard Stance sound and aesthetic (read hard-line straightedge), but with more of a NYHC youth crew influence. And one of the two brothers were in the band Farside who played more of a rocking punk vibe. I guess we cant forget Inside Out, which is an amazing EP and is probably ubiquitous at this point, but No Spiritual Surrender is a classic.

Thats mostly what I have known / learned. It's cool to finally hear this EP and while it doesnt hold a candle to members later projects it is a cool entry into the history of Hardcore. People had requested this too, so this ones for you. We should talk about Outspoken after this. They were a great Cali hardcore band from this time.

You know what the best thing is?

I was drinking a beer while doing this post.

xBEERx

Monday, June 02, 2008

Threadbare 7"



So, I guess it was 1995, and this hardcore girl that I knew, she called herself Hahdcore Girlie or something like that. I dont know, It's on the tape at home. Anyway, she and I met at the Tune Inn and New Haven, CT, but she was from Pleasantville or something... haha!! real spot-on with the facts right now. The point I am attempting to reach is that she and I traded mix-tapes of our hardcore favorites. I believe mine consisted of Unbroken, Mouthpiece, Outspoken (all that New Age stuff ruled) and probably Native Nod and Frail and stuff like that. She gave me a tape that for the most part was good. It got me into Slugfest long after they were gone. It had a xCornerstonex song (which I would love to have that album again) on it which was awesome and various other goodies. Most of it I was familiar with and loved accordingly. Threadbare was the thing that stuck out the most.

Two songs, from a 7" that I instantly went on the hunt for. Two amazing songs. Well as it turned out a friend had bought it. This is the same friend that bought every good record and then sold them all (ahem! Crud is a Cult, Converge - Halo In a Haystack, etc.) He bought this one and of course I was all "where'd you get it!?!". Him: "oh, Trash. They only had one left". I couldve ordered it, but I didnt, I had it on tape, so I waited and ended up never purchasing it. But the songs never left my head. As it turns out, its only one song that never left my head. Ignition.

Ignition is one of the best hardcore songs ever. And personally Threadbare raised the bar so high with this one song that they never ever lived up to it again. I know some people get all saucy over them, but they never did it for me. I just wanted to listen to Ignition over and over, which is what I am doing right now.

The song reminds of Ressurection, but way crunchier and harder. Like Despair with Rob Fish on vocals. Ignition has certain parts that make me want to freak out. It is such a tense song. When he says "Under all these layers of filth, under all these layers of decay, HERE IT IS!!" Wow. I want to do a backflip. "Harvesting Misery, Crack, Cracking!!!!... Cracking the Facade, Ignition. CRACKING!!!!!!"... and then the tension really goes up a few notches as they lay into this darkened section... "Are we really in control, do we really know? I look around and cant help but thinking NOOOOOOOT! Fill the gap in my heart!" The bass work in this part is eerie and wonderful. The rhythm pulses underneath the screams and the low end and then explodes. You think this would be the ultimate end to the story, but they have another thing coming. One of the fiercest breakdowns, with shredded vocals screaming "Cracking the facade! Ignition!".

Wednesday, February 13, 2008

4 Walls Falling - Culture Shock - Re-post

This record is a fucking classic. You're behind the curve if you're into straightforward hardcore with old school flavor and you dont have this in your collection. Of course thats extremely relative, but then again you didnt come here for my objectivity, you came here for tunes.

Get into it.



4 Walls Falling were a political hardcore band from Richmond, VA. They had a sound that, though metallic, was very rooted in the old-school hardcore style of the 80's. There are times when listening to this cd that I want to make comparisons to mid 80's NYHC like Sick of it All and Youth of Today and other times I want to compare their sound to turn of the decade New Age Records bands like Mouthpiece, Endpoint and Outspoken. All together though, I think they have their own sound. While old-school hardcore doesnt have much gradation in terms of tone or speed 4 Walls have blended a nice amount of metal and melody to offset this fact. Great fast parts, chugging breakdowns, and youth crew vocals all mke it an essential for any fan of the genre. Greed is my favorite song, opening with a sample of Michael Douglas from the movie Wall Street.

Definitely pick this one up. You wont regret it.

Purchase @ Jade Tree Records

Monday, January 22, 2007

Shellac - At Action Park (1994)



Shellac are the most abrasive band on the planet. In both song and lyric, they rip to the bloody core of things. Steve Albini pilots the ship with razor sharp guitars and caustic vocals while Bob Weston dumps piles of fierce bass under it, and Todd Trainer repeatedly slashes and bludgeons with urgent mathematically precise drum work. Together they drop some of the heaviest songs without ever muting the guitars into a chugging hardcore riff, or any sort of metal direction. Yet each and every piercing sound is gleaming with menacing metal qualities. It is the musicians, most notably Steve Albini's, dedication to sound engineering and vintage equipment that is mostly resposible for the biting sounds of Shellac. The outspoken Albini has openly stated his distaste for digital technology and continues to record with all analog equpiment with careful mic positioning, even stating that CD's are shit on the liner notes of the album. Despite their minimal sound they weave a dense powerful rock record, not unlike many of their Touch & Go labelemates (Jesus Lizard, Slint, Don Caballero). They have a mathy yet viscerally direct approach with many complex approaches in both rhythm and tune and a keen sense of texture and form.

The band has declared live that they will release a follow up to 2000's 1000 Hurts sometime this year. It will of course be released on Touch & Go and will be titled Excellent Italian Greyhound, after Todd Trainers dog. Bonus points if you can guess what kind of dog it is. ^_^

The Story of Shellac, minimalist rock trio

Thursday, September 25, 2008

Unbroken Owns Your Soul




Like all good things, they come to an end.

This was the end of Unbroken. I was able to see the first "last" Unbroken show that year and damn it, it was a memorable experience. One of the top show experiences of my life. I have a few very choice photos that I must find... One of kids going nuts with Dave wearing an awesome Undertow shirt and a very cool shot of Eric Allen rocking the hell out of kids at the Tune Inn in New Haven.

Anyway, things are busy here still. I think sometime in the middle of October I can resume posting in a somewhat normal fashion. For next I have three awesome things to show you guys. Black Kites, Damezumari and another blast from the past. Lets see if I can actually pull it off.. I want to give the first two the proper credit as they are active and touring bands with great styles...

That is all.


------


Psych.


Someone mentioned Fall on Proverb and since its such a fucking awesome 7" here you go. Going away for the weekend. Will talk to you all on sunday or monday. I think we should all meet up in Chicago for the reunion show to end all reunion shows. I know reunion shows smack of velveeta cheesiness, but seriously... does this line up sound anything less than bad ass?

Disembodied
Unbroken
Undertow
Mouthpiece
Coalesce
108
Trial

I didnt think so. Does anyone else think Outspoken should play this show? Lets all write to them and threaten them with bodily harm if they do not play this show. Of course Im kidding... about the bodily harm part.

Hey, heres Fall on Proverb! Tear shit up! Wow, that was a Vogelism...


Sunday, October 08, 2006

Land of Greed, World of Need.



A Tribute to Embrace

This is a cover album of the classic DC hardcore band's self titled record (the one w/ Ian MacKaye of Fugazi/ Minor-Threat fame). The whole Embrace album is recreated, track for track, by 14 different hardcore and punk artists from around the world. The combination of artists appearing on this comp makes this album worth having alone. The fact that it is out of print makes this even more worth having. Just about every song is done well. Whether retaining the original feeling or completely remaking it with their own sound, all the bands manage to breathe new life into an oft-overlooked "classic" album. Some definite highlights are Lifetime's cover of "Money" and Sparkmarker's energetic version of "Do Not Consider Yourself Free", but nothing beats "Dance of Days" by Current, in my opinion. Current was a great band that took lots of influence from Embrace and put it to good use.
The album was the first release by the hardcore label Trustkill Records. Definitely check this one out!! and take the time to let me know what you think and which songs you think are best.

Tracks:
1. Give Me Back - Nations On Fire
2. Dance Of Days - Current
3. Building - Undertow
4. Past - Groundwork
5. Spoke - Outspoken
6. Do Not Consider Yourself Free - Sparkmarker
7. No More Pain - The Functions
8. I Wish I - Blindfold
9. Said Gun - Avail
10. Can't Forgive Rancid
11. Money - Lifetime
12. If I Never Thought About It - Process
13. End Of A Year - Farside
14. Last Song - Ashes